Galerie Raum mit Licht

 

Lindsay Seers

geboren 1966 auf Mauritius
lebt und arbeitet in London, England

Ausbildung

1999-2001   MA Bildende Kunst Goldsmiths College
1991-1995   BA Hons Bildende Kunst, The Slade School of Fine Art, University College London

Einzelausstellungen (Auswahl)

2013   Entangled2 (Theatre II), Matt´s Gallery, London
           Monocular4, QUAD, Derby, UK
2012   Nowhere Less Now, The Tin Tabernacle, London
2011   Gallery TPW, Toronto [as part of Images Festival]
           It has to be this way 2, BALTIC, Gateshead
           Dis-covery, Salamanca Art Centre, Tasmania
2010   Aspex Gallery, Porstmouth
           Statens Museum for Kunst, Copenhagen
           It has to be this way 2, Mead Gallery, Warwick
2009   It has to be this way, Matt’s Gallery, London
2008   Event Horizon, Royal Academy of Art (Performance/Screening)
2007   Swallowing Black Maria Smart Project Space, Amsterdam
2006   Human Camera Mali Salon, Rijeka, Croatia (Performance/Screening)
           The truth was always there, The Collection, Lincoln
           I can’t tell you, Grundy Gallery, Blackpool
           Don’t look through me, City Gallery Leicester
2005   Image in Me, Market Gallery, Glasgow
           Eyes of Others, Gallery of Photography, Dublin
           I saw the light, Gasworks Gallery, London
2003   You said that without moving your lips, Limerick City Gallery, Irland
           Calidoscopio, Museodel Barro, Asuncion, Paraguay
2002   Photoscoptucus, Public work, Camden Lock/ Henley-on-Thames
2001   Black Bag, Old Operating Theatre Museum (+ Monographie BBC Program,
           ‘Lindsay Seers, Artist’s Eye’, Rory Logsdail)  
           For the dead travel fast, Worcester City Museum and Art Gallery
1999   Autocannibal, Laure Genillard Gallery, London
1998   Cannibal, Old Museum Art Centre, Belfast
1997   Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin

Gruppenausstellungen (Auswahl)
2015    Doug Fishbone’s Leisure Land Golf, Venice Biennale
            Reads Like a Book, The Book Lovers, Cricoteka, Poland
2014    MIRRORCITY, Hayward Gallery, Southbank Centre, London
            For the Record, Waterhall Gallery, Birmingham Museum and Art Gallery   
            Top of the World, Sami Centre For Contemporary Art, Karasjok, Norway
2013    Narrative Structures, Stryx, Brimingham
            Nowhere Less Now², MONA, Tasmania [commission]
            Toulouse International Art Festival [commission]
   
            To that Wallpaper Vault, Departure Lounge, Luton
   
            The Book Lovers, EFA Project Space, New York
        
    Disappearing Into One, Zabludowicz Collection, London

            Urban Visionaries, Canary Wharf Screen, Art on the Underground, London
2012    The Book Lovers, MHKA, Antwerp
        
    Reality Bites, Kiasma, Helsinki
        
    Focal Points: Art and Photography, Manchester Art Gallery
        
    Møte (Meeting), Galleri Festiviteten, Norway
   
            Ich is ein Anderer, Kunstverein Freiburg

            A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden
2011    Monodrome, Athens Biennale, Greece
            
Beyond Deception, Erik Steen Gallery, Oslo, Norway

            Something In The Way, Lofoten International Art Festival, Norway

            Outrageous Fortunes, Focal Point Gallery, Southend, UK
            Dis-covery, Salamanca Art Centre, Tasmania
            Rugby Collection exhibition featuring Lindsay Seers 'The Trilogy (Extramission 2)'
            Just Photography, Martos Gallery, New York
2010    Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark
            Persistence of Vision, FACT, Liverpool
            Steps into the arcane, Kuntsmuseum Thurgau, Switzerland
            Hands On, Galerie Raum mit Licht, Wien
            Depatterrn, Galleri Erik Steen, Oslo
2009   Film Weekend: The Jarman Award in der KunstHalle, Zürich
           Performance at Whitechapel Gallery, London
           Altermodern, Fourth Tate Triennial, Tate Britain
           Mostravideo, Itau Cultural Institute, Sao Paulo
2008   Happy Hand, British Film Institute, London (performance/screening)
2007   Cinemart, The Auditorium, Rom
           Foreign Bodies, White Box, New York
           The Believers, Wanderausstellung in fünf Städten in Norwegen, u.a. Stavanger,
           Forde und Bergen
2006   UBS Opening, Tate Modern (mit Laurie Simmons, Guerilla Girls usw.)
           Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @798 Space, Beijing
           Inside, (Performance) Great Eastern Hotel, Masonic Temple
           Performance/Screening, Don’t Look Through Me, Y Theatre, Leicester
           Performance/Screening at Witte de With/Tent, Rotterdam
           John Skies or Sally Swims, UKS Gallery, Oslo      
           Wandering Rocks, Gimpel Fils Gallery, London
2005   Wunderkammer, The Collection (kuratiert von Edward Allington)
2004   Adam, Smart Projects, Amsterdam
           Mind the Gap La Friche, Triangle, Marseille
           Shattered Love, Keith Talent Gallery, London
           Eating at Another’s Table, Metropole Galleries, Folkestone (Performance/Ausstellung)
           Tonight, Studio Voltaire, London (kuratiert Paul O’Neill)
           A Variety Night of Ventriloquism, Performance in FACT, Liverpool
           (mit Ken Campbell, Aura Satz, Andrew Hubbard)
           Mesmer, Temporarycontemporary, London
           Haunted Media, Site Gallery, Sheffield (mit Susan Hiller, Susan Collins, Scanner,
           Thompson/Craighead, S Mark Gubb)
2003   The Physical World, APT, London, (mit Ian Dawson, Katie Pratt)
           Sphere, Presentation House Gallery, Vancouver, Kanada (mit Paul McCarthy, Bruce Nauman,
           Laurie Simmons und Allan McCollum)
           A Taste for Sham, Studio 1.1, London (mit Jo Bruton, Kirsten Glass)
           The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (kuratiert
           von Brian Griffiths)
2002   History Revision, Plymouth Art Centre (u.a. Terry Atkinson)
           Nausea: encounters with ugliness, London Print Studio
           Dramatic Events, Kent Institute of Art and Design        
           Nausea, Djangoly Art Centre (mit Dave Burrows, Beagles und Ramsay, Margarita Gluzberg,
           Mark Hutchinson)
2001   Trinity College, Zwemmer Gallery, London
           Molotov, Dilston Grove Gallery, London (mit Kirsten Glass, Diann Bauer, Annie Whiles,
           Helen Paterson, Lisa Fielding Smith)
2000   Tow, Camden Lock, Millennium Commission Project (mit Tim Head, Diana Edmunds,
           Janice Howard, Zoe Brown)
           Assembly, Stepney City, London
           A Shot In The Head, Lisson Gallery, London
           Unfound, Chisenhale Gallery, London
           City Projects, Artomatic, London (mit Jemima Brown, Marcel Price)
           The Double, The Lowry Centre, Salford (mit Thomas Ruff, James Reilly und Alice Maher) 
           On the rock, APT Gallery, London (mit Annie Whiles, Diann Bauer, Kirsten Glass,
           Helen Paterson)
1999   Nerve, ICA, London (mit Jeremy Deller, Martin Creed, Dave Beech, John Isaacs,
           John Beagles, Dave Burrows, Clive Sall)
           Quotidian, Paper Bag Factory (kuratiert von Julia Lancaster)     
           Cabin Fever’ Gallery Herold Bremen, Germany, (mit Caroline Macarthy und Mairead
1998   Multiples, Temple Bar Gallery, Dublin
1996   Stick Your Hands Up, Acorn Storage, Hammersmith, London
1996   Ghost, ACAVA Open Studios, Denmark St, London

Atelierstipendien / Preise (Auswahl)

2012   Sharjah Art Foundation Production Award
2010   Paul Hamlyn Awards for Artists
           Arts Council England, Grants for the Arts for a residency in Tasmania
2009   Film London & Channel 4’s Jarman Award (und Aftrag für Channel 4’s hochgelobte
           3 Minute Wonder strand)
           Arts Council Individual Artist Award
2007   Wingate Scholarship  British Academy /British School at Rome
           British Council Award für neue Arbeit
2006   AHRC Research Leave Award
           Arts Council National Touring Award
2005   British Council Award
           Arts Council Individual Artist Award
2004   Triangle International Artists Workshop, Mauritius
2003   Arts Council und Triangle Trust als Finanzierung für Aufenthalt in Paraguay
1999   Arte Viva, Aufenthalt und Ausstellung, Senigallia, Italien
1998   Beach Life, Public Art Project, ünterstützt durch Islington Council
97-02 Residency mit Acme Studios, The Old Fire Station, London
1997   7-monatiger Aufenthalt: The Irish Museum of Modern Art
1995   First Base Studio Award (1-jähriger Atelier ACAVA)
           Ray Finnis Award
1993   Slade Prize (Pankerd Jones Memorial Prize)

Publikationen (Auswahl)

Memories Are Made of This, Charlie Fox, Sight and Sound, April 2015
The Fantastical World of Lindsay Seers, Elizabeth Fullerton, ARTnews, October 2014
Digital Realities: MIRRORCITY, Chloe Hodge, Aesthetica, October - November 2014
MIRRORCITY: London artists on fiction and reality, Phil Harris, Artvehicle, October 2014
Take a look in the mirror, Freire Barnes, Time Out, October 2014
Lindsay Seers: Two Different Coloured Eyes, Alison Green, Souce, Summer 2014
Lindsay Seers, Charmian Griffin, Time Out, 29 October 2013
One of Many, Adrian Dannatt, Artist Comes First, Jean-Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013
The Book Lovers, Wendy Vogel, Modern Painters, May 2013
Lindsay Seers, George Barber, Frieze, January 2013
Lindsay Seers, Artangel at the Tin Tabernacle – Jo Applin, ArtForum, December 2012
Lindsay Seers, Martin Herbert, Art Monthly, October 2012
Exhibition, Ben Luke, Evening Standard, (pg 60-61) 20 September 2012
Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012
Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012
Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012
Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012
Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6-12 September 2012
Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012
Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012
Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012
Das Identitätsvakuum – Dietrich Roeschmann, Badische Zeitung, 27 March 2012
Ich ist ein anderer-Kunstverein Freiburg – Badische Zeitung, 21 March 2012,
Action Painting – Jacob Lundström, FLM NR.16, March 2012
Dröm-fabriken – Peter Cornell, Kultur, 21 Febraury 2012
Vita duken lockar Konstnärer – Fredrik Söderling, Dagens Nyheter (pg 4-5) 15 Feburary 2012
Personligen Präglad -    Clemens Poellinger, SvD söndag, (pg 4-5) 12 Febraury 2012
Uppshippna hyllningar till – Helena Lindblad, Dagens Nyheter (pg 8-9) 9 Ferauary 2012
Bonniers Konsthall – Sara Schedin, Scan Magazine, (pg 48-9) Febuary 2012
Ausstellungen – Monopol, (pg 120) February 2012
Modeprovokatörer plockas up par museerna – Susanna Strömquist, Dagens Nyheter (pg 8-9) January 2012
Promosing in Kabelvåg – Seers' 'Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011
Reconstructing the Past – Lindsay Seers' Photographic Narrative, Lee Halpin, Novel², May/June 2011
Lindsay Seers, Oliver Basciano, Art Review, May 2011
Lindsay Seers: It has to be this way2, Paul Usherwood, Art Monthly, April 2011
It has to be this way2, 2011, published by Matt's Gallery, London
Steps into the Arcane, ISBN 978-3-869841-105-2, published 2010
Jarman Award, September 2009, Laura McLean-Ferris, Guardian
Top Ten, Sommer 2009, Art Forum
Remember Me, July 2009, Tom Morton, Art Forum
It has to be this way, 2009, herausgegeben von Matt’s Gallery, London
ArtForum, Mai 2009, Gilda Williams Rezension der Ausstellung in Matt’s Gallery
Frieze, April 2009, Chris Fite-Wassilak Rezension der Ausstellung in Matt’s Gallery
Art Review, April 2009, Rebecca Geldard Rezension der Ausstellung in Matt’s Gallery
Frieze, April 2009, Jorg Heiser Rezension der Altermodern Tate Triennial
Art Monthly, März 2009, Colin Perry Rezension der Altermodern Tate Triennial
The Independent, 6 February 2009, ‘No sharks here, but plenty to bite on’
Tom Lubbock Rezension der Altermodern Tate Triennial
Time Out London, Jänner 29 – Februar 4 2009, ‘Critics’ Choice’ für die Ausstellung in Matt’s Gallery
Time Out London, Jänner 22 – 28 2009, ‘In the studio’
Human Camera, June 2007, Monographie herausgegeben von Article Press
Art Papers (USA), Rezension der Gasworks Ausstellung, S. 60, Februar 2006
Time Out’, Rezension der Ausstellung Wandering Rocks, Februar 1 –8, 2006
Aften Posten, Norwegen, Titelseite und S. 6-7  für Ausstellung in UKS
Sunday Times (Culture magazine), S. 8-9. Rezension für Ausstellung in Gallery of Photography. November 20 2005
There is Always an Alternative, Katalog (Dave Beech /Mark Hutchinson) 2005
Wunderkammer, Katalog, The Collection, Oktober 2005
Sphere Catalogue (Essay von Lisa Panting, S. 46-50), Presentation House Gallery, 2004
Art Monthly, April 2004, Reszension der Ausstellung Haunted Media, S. 33-34 (mit Bilder)
Miser and Now, Beiträge in Ausgaben 1, 2, und 3
Source 37, Winter 2003. Rezension der Ausstellung in  Limerick City Gallery.
Expressive Recall, S. 50-51
Braziers International Artists Workshop Katalog, 2002
Art Monthly, April 2003, Rezension der Ausstellung Lost Collection of an Invisible Man
Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (eine Zeitschrift zur Photographie, Essay von John HIlliard), Juni 2002
Radical Philosophy,113, Juni 2002, Titelblatt und S. 26, 30
Elle magazine, Juni 2002, S. 92-93
Art Monthly, Rezension, Dave Beech, Juni 2002 S. 30-31
Nausea: encounters with ugliness, Katalog
Lindsay Seers, Artists Eye, BBC Programm von Rory Logsdail
The Fire Station, ein Film von William Raban und ein Katalog von Acme
Assembly, Katalog
Arte Viva, Katalog
The Double, Katalog von Lowry, Lowry Press. 07.2000
Contemporary Visual Arts, Roy Exley, Juni 1999
Hot Shoe, Chris Townsend. Juli/August 1999
Evening Standard, 13 Mai 1999, S. 54
Occupational Hazard, critical writing on recent British art, herausgegeben von Duncan McCorquedale,
Naomi Siderfin und Julian Stallabras (Essay von Mark Hutchinson, S. 160-164)
AWP, herausgegeben von Irish Museum of Modern Art. Titelseite, S. 7, 44
Sunday Times (Irish) Rezension, S. 25, September 20, 1998

Sammlungen

Tate Collection, London
Frank Cohen Collection
Arts Council Collection
Rugby Art Gallery
Museum of Old and New Art, Tasmania

Lindsay Seers ist von Matt's Gallery vertreten

http://www.lindsayseers.info/